Gaëlle Bagot & Juan Manuel Nieto
The piano-clarinet duet format, with vocals sung mainly in French, would not be my first choice, but this new release...
Reviewed in issue February/March/2026
Oberkas Travel are as close to a supergroup as one can get. A quartet of seasoned members of Warsaw’s alternative...
Reviewed in issue February/March/2026
The fourth album from the brothers Diarmuid and Brian MacGloinn and their collaborators is packed with fine melodies and great...
Reviewed in issue February/March/2026
Formed in London in 2010 by composer/bandleader Mak Murtić and Maja Rivić, Mimika Orchestra are an avant-garde jazz-world ensemble now...
Reviewed in issue February/March/2026
In the English speaking world Vesna Pisarović might not be an household name, but in the post-Yugoslavian pop music scene...
Reviewed in issue February/March/2026
With True Picture, Hungarian folk singer and double bassist Veronika Varga offers a strikingly intimate debut – an album that...
Reviewed in issue February/March/2026
Belfast-based Larkin follows up her 2021 debut Notes For A Maiden Warrior with the spellbinding Next Of Kin. A mix...
Reviewed in issue February/March/2026
The Slovak jazz singer Júlia Kozáková continues her journey into the Romani music she holds dear. On MANUŠA II (Manuša...
Reviewed in issue February/March/2026
This Belgian quartet are named after the Federico García Lorca sonnets that form the verbal heart of this repertoire. The...
Reviewed in issue February/March/2026
Irish harper Aisling Urwin’s second solo album is a haunting, experimental and hypnotic listen that perfectly blends harp tradition with...
Reviewed in issue February/March/2026
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