Fans of Sevara Nazarkhan's two Real World albums are in for a surprise here – but it is an entirely...
Reviewed in issue Nov/Dec/2011
This, according to the notes, is the first album devoted to Balinese gamelan angklung. Any succes– sors will have a...
Reviewed in issue October/2011
Although recognised in India as one of the finest sitar and surbahar (bass sitar) players, Rajeev Janardan may not be...
Reviewed in issue October/2011
It is hard to really know what to say about this disc, as it is so much of its time;...
Reviewed in issue October/2011
Ten Drum is a young Taiwanese percussion group. At first you might compare the troupe to the taiko ensembles of...
Reviewed in issue October/2011
Perhaps the most remarkable thing about this music is that it exists at all. During the Khmer Rouge's reign of...
Reviewed in issue October/2011
The primary Korean instrumental genre that bridges folk and art traditions is sanjo (on these releases romanised as ‘sanzo’). A...
Reviewed in issue October/2011
The first thing you notice about In Nem is that there are 96 seconds of silence between each of the...
Reviewed in issue October/2011
Twenty-five tracks and over 150 minutes of film music at its best, this compilation from Saregama has got to be...
Reviewed in issue July/2011
In contrast to the two previous albums by the Thai Elephant Orchestra, which featured human collaborators, this one, the last...
Reviewed in issue July/2011
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