Reviews
Quesaco?
Paris Combo are an iconic Parisian band, carried by the voice and the twinkling presence of Bénédicte Grimault, aka Belle...
Reviewed in issue August/September/2022
Footwork
The debut album from English fiddler Lewis Wood is something of a concept album – and it’s a nice concept. Footwork...
Reviewed in issue August/September/2022
The Rough Guide to Jewish Music
Klezmer is by far the most well-known Jewish music genre, to the extent that it is often the only one...
Reviewed in issue August/September/2022
Mousehold
Led by Georgia Shackleton on fiddle and vocals, with Nic Zuppardi on mandolin and Aaren Bennett on guitar, the East...
Reviewed in issue August/September/2022
Bak Lås Og Slå
From thieves to murderers this is a collection of songs about outcasts of Norwegian society in the 19th century. With...
Reviewed in issue August/September/2022
The Lions We Are
Dantchev:Domain | DANTCHEV:DOMAIN
Atmospheric and cinematic, The Lions We Are is a journey across spaces and sensations. Permeated by a playful experimentalism, this...
Reviewed in issue August/September/2022
Razem
In Polish razem means ‘together’ and this album is a meeting of two bands: Babra from Hungary and Megitza (aka...
Reviewed in issue August/September/2022
Houtekiet
When they formed in 2011, MANdolinMAN, a Belgian mandolin quartet, proposed new arrangements of the traditional Flemish repertoire, based on...
Reviewed in issue August/September/2022
Good Times of Old England
Span are still a touring and recording band, like their 70s folk-rock compatriots Fairport, and a good portion of their...
Reviewed in issue August/September/2022
Poems from Szék
The Transylvanian village of Szék occupies an important place in the Hungarian folk tradition. It’s situated in Romania, but the...
Reviewed in issue August/September/2022
