Reviews
Frank Y Sus Inquietos
In the clubs of Caracas in the late 1960s, salsa was going off. Or more specifically, a sound that mixed...
Reviewed in issue March/2022
Canciones de Isaac
Breezes, birdsong, crickets, leaf-litter, the hum of Caracas by night, and the more serene sounds of daytime walks through Pyrenean...
Reviewed in issue March/2022
Artybonito
The Azueï Movement is a collective of artists spanning the shared island of Hispaniola, home to Haïti and the Dominican...
Reviewed in issue March/2022
Fazer e Cantar
Diana HP’s heart lies in Minas Gerais, Brazil’s landlocked, literary heartland. Larger than France – where she resides – Minas...
Reviewed in issue March/2022
Tempos Futuros
Like long-time partner in rhythm, drummer Ivan ‘Mamao’ Conti, Azymuth’s veteran bassist Alex Malheiros makes an occasional solo sortie. This...
Reviewed in issue March/2022
Good and Green Again
Like a roiling campfire on a cool autumn night, Columbus, Georgia-born, Durham, North Carolina-based Jake Fussell’s Good and Green Again...
Reviewed in issue March/2022
Hell on Church Street
The death of Tony Rice on Christmas Day 2020 robbed bluegrass of one of its most influential musicians. Béla Fleck’s...
Reviewed in issue January/February/2022
Cuba: Music and Revolution – Culture Clash in Havana Experiments in Latin Music 1975-85, Vol 2
Soul Jazz continue their excavation of Cuba’s Areito records with a second volume picking up where the first left off....
Reviewed in issue January/February/2022
Chambacú
Colombian singer Aurita Castillo was just six or seven years old when she recorded two albums for Discos Fuentes in...
Reviewed in issue January/February/2022
