Reviews
Silver Lining
Kohesia Ensemble is a mix of Persian and Western musicians whom Australian bassist Kate Pass has brought together, and this...
Reviewed in issue January/February/2022
Fleuves de l’Âme
This debut album from Tunisian percussionist Houeida Hedfi translates from the French as ‘Rivers of the Soul’, and it’s a...
Reviewed in issue January/February/2022
Supermoon
The Israeli-born Itai Kriss has spent two decades lighting up New York’s vibrant jazz scene with his flute playing, working...
Reviewed in issue January/February/2022
Ke Haber
Israeli artist ‘Nani’ Noam Vazana sings and writes in Ladino, a Romance language spoken by Spanish Jews in the 15th...
Reviewed in issue January/February/2022
Desert Equations: Azax Attra
Sussan Deyhim & Richard Horowitz
Back in 1986, Iranian singer Sussan Deyhim was in New York, working with electronics and sampling multi-instrumentalist Richard Horowitz. They...
Reviewed in issue January/February/2022
Freedom to Roam The Rhythms of Migration
What are ‘the rhythms of migration’ – are they natural, forced, seasonal? And how do you evoke or embody them...
Reviewed in issue January/February/2022
God’s Plenty
Ambient duo Padang Food Tigers do not equip listeners with a map to navigate their signature fusion of found sound,...
Reviewed in issue January/February/2022
La Tercera Vision
Argentinian musician, DJ and programmer Lagartijeando (aka Mati Zundel) plays Andean-inspired electronic folk with a psychedelic lite touch; there’s always...
Reviewed in issue January/February/2022
