Reviews
AnásanA
While this is the first solo album from the Greek pianist, singer and composer, it’s certainly not her recording debut....
Reviewed in issue July/2022
CAOIN
The debut album from one of Ireland’s most intriguing emerging talents, visual artist and vocalist Ceara Conway, CAOIN (Cry), clothes...
Reviewed in issue July/2022
Genius Loci 2: The Valley of Iron
This is the second part of the Genius Loci project from the prolific instrumental duo of fiddler Adam Summerhayes and...
Reviewed in issue July/2022
Tall Ships and Tavern Tales
This double album of songs from their two-part stage show of the same name is described by Devon’s self-styled ‘original...
Reviewed in issue July/2022
This Too
For the follow-up to their acclaimed debut album Free One in 2017, this Glasgow-based instrumental ensemble of fiddlers Laura Wilkie,...
Reviewed in issue July/2022
Tres Golpes
Perrate is about as traditional a flamenco artist as you can imagine. From Utrera in Andalucía, the family dynasty includes...
Reviewed in issue July/2022
Eremìa
At the very tip of Italy, Calabria has been the gateway to Greek civilization, a heritage Ettore Castagna, founding member...
Reviewed in issue July/2022
Rosewood
For lovers of the finger-picking guitar greats of the 1960s, Rosewood is a treat. Ben Robertson acknowledges their influence but...
Reviewed in issue July/2022
New Moon
The second album from Highland septet Hò-rò continues on the path of combining their native traditions with an outward-looking approach...
Reviewed in issue July/2022
You Are Free
Perhaps best known as one third of the mighty Talisk, Graeme Armstrong’s debut solo album presents the singer-songwriter as a...
Reviewed in issue July/2022
