Ólöf Arnalds was part of the wave of Icelandic talent that swept into the broader musical consciousness in the early...
Reviewed in issue February/March/2026
Kasia Kadłubowska, a Polish percussionist based in Berlin, is on a journey to retrace her roots on the Polish-Ukrainian-Belarusian borderlands....
Reviewed in issue February/March/2026
Folk music speaks to the tradition of a place, and carries a deeply personal expression. Norwegian violinist Hannisdal is schooled...
Reviewed in issue February/March/2026
Erwan Keravec grew up in Brittany, but is a Scottish bagpiper, now resident in Rennes. He marches sternly between modern...
Reviewed in issue February/March/2026
‘Willie’s Lady’ tells the story of a new wife who has more than the usual difficulties with her mother-in-law, who...
Reviewed in issue February/March/2026
Seventies folk provides the throbbing heart of the mighty Magpie Arc’s second full-length album, Gil Brenton. The title-track opens with...
Reviewed in issue February/March/2026
Stafell Sbâr Sain (Sain’s Spare Room) is a vibrant showcase of Welsh folk at its most diverse and inventive. Released...
Reviewed in issue February/March/2026
Anna Pidgorna is a Ukrainian-Canadian singer and composer, currently residing in Vancouver. Despite this album’s title, her works possess a...
Reviewed in issue February/March/2026
There are three key elements to this environmental journey of an album. This Belarusian sound-shaper, from Minsk, captures carefully placed...
Reviewed in issue February/March/2026
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