Features
Roots Round-Up (JP Harris, Olivia Barrett, Aerialists and more)
Introducings new releases from Justin Golden, Tinkham Road, JP Harris, Olivia Barrett and Aerialists
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Features
Catrin Finch and Aoife Ní Bhriain: “The most important thing is hopefully people will love the music”
Welsh harpist Catrin Finch is embarking on a new partnership, this time exploring her Celtic and classical roots with Irish fiddle player Aoife Ní Bhriain
Features
Marina Satti: Eurovision bound
Mateusz Dobrowolski checks in on the vocalist representing Greece at this year’s Eurovision Song Contest
Features
The 4 Corners and Centre of Moonchild Sanelly’s Universe
The South African ‘future ghetto punk’ phenomenon discusses the albums that have informed her fun, bracing and totally unique soundworld
Features
WOMAD 2018 Must-See Acts
We've compiled a shortlist of our WOMAD 2018 must-see acts, from Afro-pop to reggae and plenty more in between!
Features
Music in Moskovistan: Central Asians in Moscow
For centuries, Central Asia was criss-crossed from the west and east by merchants on the Silk Road. Today Central Asia itself is on the move with millions of migrant workers in the Russian Federation. Razia Sultanova reports on how music helps them settle in
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Roots Round-Up (New Music from US & Canada)
A selection of essential releases from the US and Canada including new albums from Watchhouse, Justin Golden, Deerlady, Alexis Chartrand and Cyrille Aimée
Features
“It’s amazing when you think about the lack of Polish folk music in the media”: WoWaKin on keeping their music scene alive
With an open-minded approach to their country’s musical traditions and a host of special guests, this Polish trio are finding out what connects village life to that of a contemporary musician. Mateusz Dobrowolski hears all about it…
Features
Nitin Sawhney interview: “Beyond Skin was about the paradox of how we perceive nationality and religion”
The composer, producer and musical polymath Nitin Sawhney is revisiting his acclaimed Beyond Skin album 20 years after its release. He talks politics and music with Nigel Williamson
Features
Meeting Asha Puthli: “I have a four-octave range from my classical training and I just went for it, this spaced-out singing”
Undeterred by expectations, Asha Puthli had a vision of uniting Indian classical music with jazz, heading to New York and getting a job singing with a free-jazz icon. It was the beginning of an adventurous, incendiary and unparalleled career
Features
Dudu Tassa: An Iraqi Revival
The songs of the Jewish-Arabic band the Al-Kuwaiti Brothers were much loved across the Arab world. Robin Denselow speaks to Dudu Tassa, the grandson of Daoud Al-Kuwaiti, about reviving these songs
Features
Songs for “Great Leaders”: North Korean Music
Keith Howard gives a glimpse into his work on the music of North Korea, uncovering codes, state productions and unsettling consequences
Features
Soapbox: Racism and the Music Industry
“What may begin with the throwaway use of language ends with economic, social and artistic injustice”
Features
Tinariwen: every album reviewed
Since their debut album in 2001, the throbbing desert blues of the Touareg guitar band Tinariwen has conquered the musical world: here are reviews of all of their albums to date
Features
The Joy: “You can hear how we poured our hearts into the songs”
The Joy started their a capella singing in a small classroom in rural South Africa; now they’re set to release their eponymous full-length album
