Thursday, October 30, 2025
Label of Love: Country & Eastern
Chris Wheatley speaks to a Swedish imprint whose output ranges from Indian classical to West African rituals
Chris Wheatley speaks to a Swedish imprint whose output ranges from Indian classical to West African rituals
Known for his solo work as much as his many groups (Nickel Creek, Punch Brothers) and collaborations, the US mandolin virtuoso picks the albums that shaped him
Eva Adorisio reports on the Almaty artists taking inspiration from Kazakhstan’s ancient arts
Russell Higham witnesses a US country institution arrive in London for a night of cowboy boots, honky-tonk hoots and heartfelt emotion
Jo Frost gets swept up in a whirl of foot tapping, step dancing and twisting traditions as she visits a live-wire Québécois summit of folk culture
Balearic bread-making, Occitan invention and Balkan processions impress Simon Broughton at a Mediterranean folk fair
Russ Slater Johnson speaks to Mariam about touring and promoting a new album without Amadou, and how she hopes to continue spreading their message of love and solidarity
April Clare Welsh spends a Lisbon evening with Carminho, whose latest album explores ambience and haunting instrumentation in search of the essence of fado
Andrew Taylor-Dawson charts the influential and innovative history of Benin’s premier funky vodoun collective
Widely considered the world’s leading pipa player, Wu Man tells Simon Broughton about new works excavating the history of her beloved instrument
Devon Léger speaks to Martin Simpson and Matthew Byrne about projects tracing folk songs from Britain to the US and back
Erin Cobby travels to Corsica to experience Rencontres de Chants Polyphoniques de Calvi, a festival that brings people together through its celebration of the human voice
Bianca Carrera meets a new generation of musicians in the Amazigh diaspora who challenge prejudice through their heritage and language
Dan C Baciu finds evidence demonstrating that music has united the globe for thousands of years
Gnawa music guru and lute doyen Abdel Benaddi tells Chris Wheatley about his most cherished gimbri-loaded releases
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