The Guatemalan singer-songwriter tells Catalina Maria Johnson about her determination to represent women and carry the knowledge of her Indigenous heritage through music. “It’s a revolutionary act,” she confides
Olivia Cheves speaks to composer and musician Laura Cannell about her compulsion to make music, why she had to find her own traditions and why she’d love to record an album in an aircraft hangar
Belgian trio Avalanche Kaito, led by Burkinabé griot Kaito Winse, have driven their post-punk assaults to combustible extremes on their latest album
Russ Slater Johnson speaks to the screenwriter and author about Irish jigs, anti-recruiting songs and how a scouser gave Manchester a city motto
Irish vocal group Landless follow-up their much-loved debut album with a new set of songs focused on female protagonists. Emma Rycroft finds out its harmonious story
Russ Slater Johnson hears from Garefowl’s Ewan Macdonald about his connections to the last British seabird made extinct and why he will soon be recording on the Scottish isle where the bird was killed
Macdara Yeates pays tribute to one of Belfast’s most beloved singers, songwriters and cultural agitators, known for his generosity as much as his radical politics
Robin Denselow celebrates the remarkable Ethiopian nun and musician Emahoy Tsege-Mariam Gebru who would have been 100 on December 12
Megan Iacobini de Fazio meets the France-based collective Sarāb – uniting Middle Eastern traditions with contemporary jazz, climate activism and intense live shows
Emma Rycroft fires the questions at Sean Cooney from English folk group The Young'uns
Uilleann pipes, Orkney fiddles, Irish cellos and more in our latest round-up of folk music from across the British Isles
Spëcht, formally known as Hands in Motion, tell Justin Turford about their rebranding and bringing together music from all four corners of the globe
Jameela Siddiqi celebrates the legacy of the first qawwali group to find fame and send devotees into spiritual ecstasy around the world
Driven by axé (energy) in service to the orixás (gods), these top albums, selected by Russ Slater Johnson, draw on Brazil’s African diasporic religions and spirituality
Alarmed by the far-right surge, Cara de Espelho have gathered members of some of Portugal’s best-loved bands to create something new, and urgently needed. Gonçalo Frota meets the group and attends one of their first shows
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