Reviews
Castellum Honesti
Castellum Honesti was originally recorded in Dublin and released in 1989. The fact that a band from Galicia should end...
Reviewed by GonÇalo Frota in issue: October/2014
La Cantiga del Fuego
Madrid-born Ana Alcaide went to Sweden to study as a biologist and came back to Spain to become a professional...
Reviewed by Kevin Bourke in issue: Apr/May/2013
Noise & Chill Out – Ethiopian Groove Worldwide
Badume’s Band & Selamnesh Zemene | VARIOUS ARTISTS
The ‘Ethiopianisation’ of certain bands and their music is a curious, unpredicted scenario. Even sou-kous in its 80s peak didn’t...
Reviewed by Chris Menist in issue: March/2012
Tribalistas II
One uses the term ‘supergroup’ with caution, but Tribalistas unite three giants of MPB, (Música Popular Brasileira). The golden-voiced Marisa...
Reviewed by Mark Sampson in issue: Jan/Feb/2019
The Rough Guide to Psychedelic Africa
If time travel ever becomes a viable option, Africa during the 1960s and 70s will be a priority destination if...
Reviewed by Nige Tassell in issue: June/2012
Aou Amwin
A life dedicated to maloya music and an approach that has allowed a music to evolve within the traditional acoustic...
Reviewed by Paddy Bush in issue: Nov/Dec/2010
Trovaores
Antonio Placer Sextet & Antonio Campos
Antonio Placer is a Galician singer, poet and songwriter who describes himself as ‘exiled’ in France. Trovaores, his latest release...
Reviewed by Jo Setters in issue: March/2021
Bamako Moon
So-called reality is warped on Bamako Moon, as Dan Harper, otherwise known as Invisible System, reconfigures core material from his...
Reviewed by Martin Longley in issue: June/2021
Sing It for a Lifetime
Heidi Talbot’s latest album is borne from separation and adversity – recorded in a home in the process of being...
Reviewed by Tim Cumming in issue: July/2022
American Legacies
Preservation Hall Jazz Band & Del McCoury Band
What's most surprising about this unlikely collaboration between two groups – one rooted in traditional New Orleans jazz, the other...
Reviewed by Roger Hahn in issue: July/2011
