Reviews
Arcadia
A remarkable trait of Alison Krauss & Union Station is the consistently sublime nature of the band’s output. It’s been...
Reviewed by Doug Deloach in issue: May/2025
Tomorrow Held
Opening with minimal, subliminal guitar, very quiet and very still, an expressive fiddle soon eases in, the two shapeshifting around...
Reviewed by Tim Cumming in issue: September/2025
Sunwise
The third solo album from Scottish composer and smallpipes player Brìghde Chaimbeul, Sunwise feels like the start of a bolder...
Reviewed by Olivia Cheves in issue: August/2025
Chigiyo Music Kings 1987–1998
Way back at the dawn of the 1980s, the slow’n’rootsy style of Zimbabwean chimurenga, as played by the mighty Thomas...
Reviewed by Martin Longley in issue: January/2026
Shell Story
Described as a ‘sister companion release’ to last year's The Devil Makes Three, four of the seven tracks on this...
Reviewed by Kevin Bourke in issue: October/2015
The Longest Day
Guitarist Toby Hay hails from near Rhayader on the Welsh border. Its atmosphere permeates his second instrumental album; it's dreamy,...
Reviewed by Nathaniel Handy in issue: Aug/Sep/2018
An Introduction to Shirley Collins
You could say Shirley Collins needs little introduction and, certainly within the folk world, that is true. But this serves...
Reviewed by Tim Cumming in issue: November/2017
OVA
This is a bittersweet triumph from one of the world’s finest fusion bands. The Afro Celts were founded by Simon...
Reviewed by Robin Denselow in issue: December/2024
It’s Not Going to be Okay
A follow-up to last year’s enticingly experimental Teeth of Time, Joshua Burnside’s latest release is a softer, more sentimental offering...
Reviewed by Olivia Cheves in issue: April/2026
Rebuilding
Jake Xerxes Fussell & James Elkington
In a move away from their usual collaborative format (James has played on and produced Jake’s last two albums), these...
Reviewed by Glenn Kimpton in issue: February/March/2026
