All is Not Forgotten follows on from Miller's 2018 release Mercury, and a very pleasant follow-up it is too. New...
Reviewed by Billy Rough in issue: June/2020
Alde, meaning ‘swell’ in English, perfectly sums up the feel of this debut solo album from Hardanger fiddle player Benedicte...
Reviewed by Olivia Haughton in issue: July/2012
Unlike the Jarek Adamów album that follows this one, In Search of Sources features two Polish musicians interested in the...
Reviewed by Simon Broughton in issue: August/September/2022
Double bassist and composer Daphna Sadeh is not the first bandleader to draw inspiration from the common ground between early...
Reviewed by Tim Woodall in issue: Jan/Feb/2015
More than half a century ago, Maria Ochoa used to sit in a hammock on the family's farm in rural...
Reviewed by Nigel Williamson in issue: May/2016
The third album from veteran Breton violinist Jacky Molard and his instrumental quartet furthers Molard's ongoing mission of crossing musical...
Reviewed by Tim Woodall in issue: Aug/Sep/2014
With 70 tracks and more than three hours of piano, maracas and trombones, this triple-decker is all you need for...
Reviewed by Chris Moss in issue: October/2014
Susan McKeown & Lorin Sklamberg
Saints & Tzadiks is an unusual cross-cultural blend of Irish and Yiddish folk songs. Irish-born singer Susan McKeown and New...
Reviewed by Helen Beer in issue: March/2010
Like Moreno Veloso, Preta Gil and Maria Rita, Mart'nália Mendonça Ferreira is the child of famous musical parents. Her mother...
Reviewed by Alex Robinson in issue: March/2013
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