Reviews
After the City
The Brighton band’s third album is a smokily atmospheric folk noir not a million miles from the fearsome futurology of...
Reviewed by Tim Cumming in issue: April/2022
A Pegada Agora é Essa
This exciting project from multi-instrumentalist and bandleader Antonio Neves asks a simple question: what’s the sound of Rio today? Rather...
Reviewed by Alex De Lacey in issue: May/2021
Way of the Gull
This British five-piece with a strong Isle of Man flavour has its roots in Irish, Scottish and Manx traditions and...
Reviewed by Tim Cumming in issue: December/2018
Personae
Kathryn Roberts & Sean Lakeman
There is perhaps a word missing – ‘dramatis’ – from the title of the Dartmoor-based duo's fifth album, for they...
Reviewed by Julian May in issue: May/2018
The Electric Muse Revisited
When the book The Electric Muse was originally published in 1975 a separate four-LP box set was issued to accompany...
Reviewed by Garth Cartwright in issue: Aug/Sep/2021
Bigger Than Home
The hang – the flying saucer-shaped Swiss-made percussive instrument that, although played by palms and fingers, sounds not unlike a...
Reviewed by Nige Tassell in issue: July/2013
Windblown
Jamie Smith’s Mabon, the five-piece featuring accordion, fiddle, bouzouki, banjo, bass and percussion, draw their musical inspirations from the Celtic...
Reviewed by Tim Cumming in issue: Jan/Feb/2013
Afrique Mon Désir
Laurinda Hofmeyr, Afrique mon Désir Ensemble & Régis Gizavo & #9;
For more than two decades, Laurinda Hofmeyr has specialised in setting the poetry of her native South Africa to music....
Reviewed by Mark Sampson in issue: July/2018
Cotonou Club
Orchestre Poly-Rythmo de Cotonou
Listen to the opening track, ‘Ne Te Faches Pas’, and you'll hear a powerful muscular testament to the rebirth of...
Reviewed by Simon Broughton in issue: June/2011
