In the last ten years, Belgian record label Planet Ilunga has been on a mission to share a remarkable treasure...
Reviewed by Lucy Hallam in issue: January/February/2024
This meeting of the ud, ney and kora is contemplative and exploratory – an experiment in their shared sensibilities and...
Reviewed by Olivia Haughton in issue: Apr/May/2015
Samia Malik's album is autobiographical, bringing out the personal from the political via a series of original English and Urdu...
Reviewed by Amardeep Dhillon in issue: October/2017
It pains me to give this only four stars. As with any live recording, this is essentially a collection of...
Reviewed by Alexandra Petropoulos in issue: August/2024
It's not often that an album comes along with an opening track so compelling it begs several listens before you...
Reviewed by Jane Cornwell in issue: December/2019
Despite appearances this is not a generic fusion but a bridge between specific traditions soundly based on historical and environmental...
Reviewed by Francesco Martinelli in issue: April/2021
We all have days when we believe we can split rocks and are immortal (don’t we?). If so, look no...
Reviewed by Fiona Talkington in issue: July/2021
Indigenous singer-songwriter Kev Starkey has seen a bit of life. Of mixed heritage – partly Adnyamathanha (Flinders Ranges in South...
Reviewed by Seth Jordan in issue: November/2016
Although Danish seven-piece The Kutimangoes originally aimed for the crossroads between Afrobeat and jazz, further musical adventures have edged their...
Reviewed by Jim Hickson in issue: December/2019
Years in development, this fine recording is the result of white South African musician Derek Gripper having transposed seven kora...
Reviewed by Nigel Williamson in issue: Apr/May/2013
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