It’s something of a mystery why Souleyman, a 47-year-old wedding singer from northern Syria, has become a phenomenon in Western...
Reviewed by Nigel Williamson in issue: Jan/Feb/2014
While this debut release from London/Lefkosia-based project ELY features some of the UK’s finest contemporary jazz musicians – including AIM...
Reviewed by Russell Higham in issue: April/2022
With the exception of the excellent Russian Gypsy Soul double CD on Network a few years back, Russian Gypsy music...
Reviewed by Lemez Lovas in issue: Aug/Sep/2010
Two giants of English folk from different generations come together with an album of tunes that follows on from their...
Reviewed by Tim Cumming in issue: April/2022
Whereas earlier albums had more to do with retro-futurism, on Anadolu Ejderi (Anatolian Dragons) past and present collide beguilingly as...
Reviewed by Robert Rigney in issue: January/February/2023
Uruguay, along with Chile and Argentina, is prone to identity crises when it comes to defining its musical legacy. It...
Reviewed by Chris Moss in issue: April/2017
Like a roiling campfire on a cool autumn night, Columbus, Georgia-born, Durham, North Carolina-based Jake Fussell’s Good and Green Again...
Reviewed by Doug Deloach in issue: March/2022
Mr Bongo’s label is internationally known for its exposure of new Brazilian singers, classic reissues and hit remixes, so it’s...
Reviewed by Sue Steward in issue: March/2010
Although this duo from Malawi have been touring far and wide since the release of their last album in 2019,...
Reviewed by Lucy Hallam in issue: August/September/2022
Hush the Wild Horses is an intimate, unflinching glimpse into the trials and triumphs of singer-songwriter Rachel Harrington. A former...
Reviewed by Doug Deloach in issue: November/2019
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