Reviews
Madíbá
It was always going to be a tough ask to follow up on Blick Bassy's seminal 2019 album 1958 (A...
Reviewed by Daniel Brown in issue: July/2023
Plight o’ Sheep
It's a powerful, muscular sound that characterises the new release from the intrepid Scots trio. Hard to believe it has...
Reviewed by Billy Rough in issue: July/2023
Lafz Bheege Hain – Words Drenched in Tears
Sufiscore is not just a record label but also a YouTube channel which has a huge following in Asia, particularly...
Reviewed by Jameela Siddiqi in issue: December/2023
Biama
This Garifuna group is based at the Lebeha Drumming Center in Hopkins Village, Belize, which opened in 2003 with the...
Reviewed by Martin Longley in issue: August/September/2023
Tusona: Tracings in the Sand
Mokoomba are back at last, six years on from their last album Luyando and ten years after winning a Songlines...
Reviewed by Robin Denselow in issue: July/2023
Timba a la Americana
No messing around for Harold López-Nussa; it's all courses served at once with ‘Funky’, an irrepressible display of groove and...
Reviewed by Tom Newell in issue: October/2023
Okantomi
In recent years Cuba’s Santería religion, a vigorous survival of West African religious practices reconstituted as Catholic adoration of the...
Reviewed by Kim Burton in issue: January/February/2024
Move into the Luminous
The cool, ambient depth charges embedded across Move into the Luminous come from prolific double bassist Jon Thorne (Lamb, Yorkston...
Reviewed by Tim Cumming in issue: January/February/2024
Vision of Three
In 2017 Swedish viola d’amore player Anna Ekborg Hans-Ers started to realise her dream of establishing a string trio grounded...
Reviewed by Kevin Bourke in issue: April/2024
Riegádahttin
‘Life is here, can you feel it?’ Mirja Palo’s lyrics don’t shy away from the pain of labour and childbirth...
Reviewed by Fiona Talkington in issue: June/2024
