‘Month of May’, ‘Birds in the Spring’, ‘Lark in the Morning’, ‘Hard Times of Old England’, ‘Spencer the Rover’ and...
Reviewed by Julian May in issue: Apr/May/2015
Nick Janaway and Sarah Owen bring home-built computer tech to the world of I traditional folk. The results are fascinating,...
Reviewed by Tim Cumming in issue: Apr/May/2013
Aïcha Redouane, originally of Moroccan descent, has become a house¬hold name in the performance of music from the eastern part...
Reviewed by Neil van der Linden in issue: Jan/Feb/2012
This is very highbrow folk. Gareth Bonello – aka The Gentle Good – is a singer-songwriter, multi-instrumentalist and general thinker....
Reviewed by Nathaniel Handy in issue: December/2016
The title of this album is taken from a traditional tune, ‘Mentra, Gwen’ (Venture, Gwen). How could Gwen Màiri resist...
Reviewed by Julian May in issue: May/2020
On first glance, young producer Kottarashky could be seen as some slow-off-the-mark Johnny-come-lately. The Balkans are, after all, a territory...
Reviewed by Nige Tassell in issue: March/2010
So Familiar is the follow-up to Steve Martin and Edie Brickell's 2013 debut duo album, Love has Come for You....
Reviewed by Doug Deloach in issue: December/2015
Asmâa Hamzaoui & Bnat Timbouktou
Much fuss is being made over the young Gnawi maalma (female maalem) Asmâa Hamzaoui, who, still in her early 20s,...
Reviewed by Jane Cornwell in issue: Jan/Feb/2020
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