Reviews
Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One
Studio One was known as the Jamaican Motown because countless artists emerged from its training ground, including Bob Marley and...
Reviewed by David Katz in issue: Aug/Sep/2021
A Cut Above
As a child, Will Pound had several heart operations. His father gave him a harmonica when Will was ten, thinking...
Reviewed by Julian May in issue: Jan/Feb/2014
Let's Get Low
This album by English cellist and singer-songwriter Barney Morse-Brown marks the beginning of what might be a more poppy sound....
Reviewed by Rose Skelton in issue: June/2015
Peru Bravo
This latest offering of 60s and 70s Peruvian psychedelia showcases the work of a handful of bands who stylishly combined...
Reviewed by Chris Moss in issue: Jan/Feb/2015
Esengo Ya Ko Bina
Grupo Lokito, a group of London-based Congolese and Latin musicians, have been simmering on the London live music scene for...
Reviewed by Rose Skelton in issue: Jan/Feb/2011
Una Mujer de Sal Junto a un Hombre Vuelto Carbón
Another unlikely reissue from the ever colourful portfolio of Spain’s Vampisoul label, this Uruguayan oddity offers some context to their...
Reviewed by Brendon Griffin in issue: July/2021
Malawi Grooves 1950, ’57 & ’58
The opportunity to travel in time as well as space is all part of the appeal of world music, although...
Reviewed by Mark Hudson in issue: March/2017
Aïda
Taking inspiration from traditional folk, tribal groove, French rap and the Tokyo underground scene, Maïa Barouh is an artist that...
Reviewed by Olivia Cheves in issue: March/2023
Espíritu del Sol
For all her globetrotting, Amparo Sánchez remains unmistakably Spanish. That deep, gravelly Andalusian voice could come from nowhere else, and...
Reviewed by Chris Moss in issue: Jan/Feb/2015
