A surprising yet pleasurable departure from La Muchacha’s usual singer-guitarist soloist style, Los Ombligos is the new musical undertaking from...
Reviewed by Jenna Mackle in issue: March/2024
Ten years after their debut, Peru’s Los Chapillacs are back, and their sound has hardly changed. Which is a great...
Reviewed by Russ Slater in issue: January/February/2022
La Moresca is an acoustic Neapolitan septet harnessing their local music to traditional styles of the Campania region and baroque...
Reviewed by Ciro De Rosa in issue: Apr/May/2010
If you thought Argentinian music was all just about tango, then how very wrong you were. Cumbia, Latin America's dance...
Reviewed by Ed Stocker in issue: Aug/Sept/2013
Ballaké Sissoko & Vincent Segal
This hypnotic masterpiece from the French label No Format is another fine example of the label’s penchant for putting musicians...
Reviewed by Rose Skelton in issue: Aug/Sep/2010
Temptation has rarely sounded this exuberant. Inspired by the biblical theme of the temptation of Saint Anthony, the Yves Lambert...
Reviewed by Li Robbins in issue: November/2018
This fifth album from the Franco-Chilean stalwarts of Marseille may not contain anything quite so blistering as ‘La Weá’ from...
Reviewed by Mark Sampson in issue: February/March/2026
Subhan Ahmed Nizami & Qawwal Baché
Subhan Ahmed Nizami may not be the first name that comes to mind when qawwali (the music of South Asian...
Reviewed by Jameela Siddiqi in issue: March/2020
Afro-Colombian music has long been overlooked – largely down to an institutional and classist bias that, it has to be...
Reviewed by Russ Slater in issue: July/2020
Dom la Nena's breathy whispered vocals inhabit every moment on Soyo, the Brazilian singer's second album. Sorrowful swathes of cello,...
Reviewed by Russ Slater in issue: Jan/Feb/2016
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