In 2010, an American clarinettist began to compose original semi-classical Indian pieces for the clarinet. Under the tutelage of the...
Reviewed by Amardeep Dhillon in issue: November/2015
Since their inception a decade ago, Bogotá-based Colombian cumbia pioneers Frente Cumbiero have been a force to be reckoned with....
Reviewed by Jane Cornwell in issue: May/2021
Neil ‘Mad Professor’ Fraser returns with another dub album, a medium in which this apprentice of Lee ‘Scratch’ Perry seems...
Reviewed by Clyde Macfarlane in issue: June/2015
Palestine's first ever hip-hop group, DAM (meaning ‘It Lasted’ in Arabic) has finally reached Western shores with two of their...
Reviewed by Yousif Nur in issue: October/2017
Encore was recorded in 1965 at a live concert in New York and during informal home-recording sessions by producer Peter...
Reviewed by Martin Sinnock in issue: October/2021
Priya Darshini is a US-based singer from South Asia who draws on an eclectic range of musical influences. This is...
Reviewed by Maria Lord in issue: July/2020
Is it possible that Drexler has found the perfect way of describing his music with the title of his latest...
Reviewed by Russ Slater in issue: April/2018
Steve Riley & the Mamou Playboys
If Steve Riley & the Mamou Playboys are a new band to you, then you probably haven't listened to much,...
Reviewed by Doug Deloach in issue: October/2019
Like an Americanised version of Pentangle, Elephant Revival apply Superior instrumental acumen, idiosyncratic style, and a knack for compelling writing...
Reviewed by Doug Deloach in issue: Apr/May/2014
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