Reviews
L’Oiseau Magnifique
The charm of Alice's second album, L’Oiseau Magnifique (The Magnificent Bird), lies in its simplicity. The songs are performed by...
Reviewed by Lucy Hallam in issue: May/2023
What Heat
I did a double-take upon hearing that the world-fusion group Bokanté was planning a project with the Metropole Orkest. Already...
Reviewed by Alex De Lacey in issue: December/2018
East Pakistan Sky
Following releases on Glitterbeat Records in 2019 and 2020, here is another outstanding recording from the Pakistani master surti singer...
Reviewed by Maria Lord in issue: January/February/2022
The Irish Sea Sessions 2012
Like a younger, slightly stroppier cousin to Celtic Connections’ Transatlantic Sessions, the Liverpool Irish Festival’s Irish Sea Sessions bring together...
Reviewed by Kevin Bourke in issue: March/2014
Tango
You may well be apprehensive about hearing this. Israeli singer Yasmin Levy has a dramatic style that really suits the...
Reviewed by Chris Moss in issue: Nov/Dec/2014
Vessel of Love
Reggae fans still unaware of Hollie Cook should be very excited. Describing her music as ‘tropical pop,’ the West London...
Reviewed by Clyde Macfarlane in issue: April/2018
On the Edge
This isn't Frank Solivan's first rodeo by any stretch, but On the Edge, his debut recording for Compass, could be...
Reviewed by Doug Deloach in issue: Aug/Sept/2013
Gather the Good
Potently blending Irish traditional music, bluegrass and old-time Americana, We Banjo 3's 2012 debut Roots of the Banjo Tree saw...
Reviewed by Michael Quinn in issue: October/2014
Black Roots
This second album from Julio Montoro y Alma Latina is a slick and unashamedly commercial Latin American album from the...
Reviewed by Martin Sinnock in issue: April/2019
Elbow Room
Following 2016's North, a set of bracing duos with Belfast-born fiddler Conor Caldwell, Elbow Room is the second solo offering...
Reviewed by Michael Quinn in issue: Jan/Feb/2018
