Five years after Konono No 1's astonishing debut, the feral sound of their junkyard sonics and distorted, hypnotic grooves sounds...
Reviewed by Nigel Williamson in issue: June/2010
Taking inspiration from Mulatu Astatke and Fela Kuti, as well as traditional Western and Oriental music, this fourth album from...
Reviewed by Russell Higham in issue: March/2022
They look after their young talent in Scotland. Gaelic speaker Matheu Watson studied music at Sabhal Mòr Ostaig in Skye...
Reviewed by Nathaniel Handy in issue: Apr/May/2011
The significance of this reissue lies not in the fame of its creator, who died in 2017, but the interesting...
Reviewed by Charlotte Algar in issue: April/2019
For a band that reportedly sold 500,000 copies of its debut album in 1970 and managed to break the colour...
Reviewed by Nigel Williamson in issue: October/2022
This album sounds great. Recorded to tape on entirely old-school gear, it’s full of the saturated warmth that audiophile purists...
Reviewed by Matthew Milton in issue: March/2011
Film-composer and pianist Heffes, the man responsible for soundtracks such as The Last King of Scotland and Touching the Void,...
Reviewed by Nigel Williamson in issue: Apr/May/2013
Disregard the rather bland title: this album is a luminous jewel. It's an uncommon mixture, to say the least, based...
Reviewed by Jo Setters in issue: May/2018
Originally released on vinyl in 1985 by Nigerian label Tabansi Records, the rarity of this reissue will no doubt send...
Reviewed by Lucy Hallam in issue: Aug/Sep/2019
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