From the mid-1960s, musicians in Peru’s Amazon region began to record the hybrid folk styles that had evolved over five...
Reviewed by Chris Moss in issue: June/2022
Jone Takamäki, Umut Çağlar & Fahrettin Aykut
This gloriously unfettered improvised jam – split into two halves – finds Fahrettin Aykut, former drummer with Turkish psychonauts Baba Zula,...
Reviewed by Daniel Spicer in issue: April/2022
The first thing that hits you is the voice. Bright, clear, high-pitched, as sharply faceted as polished amethyst, tinged with...
Reviewed by Doug Deloach in issue: December/2022
Odd to think that a nation as staid and wealthy as Norway could produce a band as raucous as Los...
Reviewed by Garth Cartwright in issue: October/2015
Marseille's favourite sons, Moussu T e lei Jovents, finally get round to their town's classic traditions. Marseille's operette music hall...
Reviewed by Philip Sweeney in issue: Nov/Dec/2014
Kepa Junkera & the Melonious Quartet
Everything is suddenly alright with the world when an album comes along and blows your mind: especially when it's from...
Reviewed by Jan Fairley in issue: March/2012
Goran Bregovió is shameless. In this album’s liner notes he makes a lovingly liberal plea for tolerance towards Europe’s Romani...
Reviewed by Garth Cartwright in issue: Apr/May/2013
Joseph Kabasele, better known as Le Grand Kalle, was a Congolese singer and bandleader, and his dance¬band were the first...
Reviewed by Martin Sinnock in issue: March/2014
Those familiar with the heavily Ethiopian-influenced band heard on the last three Dub Colossus albums will hardly recognise this new...
Reviewed by Howard Male in issue: Aug/Sep/2014
In the clubs of Caracas in the late 1960s, salsa was going off. Or more specifically, a sound that mixed...
Reviewed by Jane Cornwell in issue: March/2022
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