Reviews
Jawaya Jathum
Jawaya Jathum translates as ‘The Guitarist and The Music Lover’, these being Polycarp Otieno (aka Fancy Fingers) and sweetly soulful...
Reviewed by Nigel Williamson in issue: August/2025
Danger
Originally released in 1976, Danger fuses Afrobeat, funk and psychedelic soul with biting political and social commentary sweetly delivered through...
Reviewed by Lucy Hallam in issue: August/2025
In the West
In the West, the third full-length release from Gabrielle Macrae (fiddle, guitar, bass, vocals) and Barry Southern (banjo, guitar, dobro,...
Reviewed by Doug Deloach in issue: August/2025
MVD LUV
Love – or rather, ‘LUV’ – is the operative word and it’s hard not to be enchanted (or occasionally irritated)...
Reviewed by Mark Sampson in issue: August/2025
8 Miles from Rusk
Jason Dea West & The Siskiyou Crest
Boasting a backstory that includes younger days as a busker and freight train hopper, as well as working the circus...
Reviewed by Kevin Bourke in issue: August/2025
Jazz at Berlin Philharmonic XVII: Gnawa World Blues
Majid Bekkas with Nguyên Lê, Hamid Drake
Gimbri and oud player Bekkas, guitarist Lê and drummer Drake: each has an extensive CV of collaboration through and between...
Reviewed by Jim Hickson in issue: August/2025
Northern Rhapsody
Led by Persian tar virtuoso and composer Hamed Sadeghi, Sydney-based jazz quartet Eishan Ensemble return with their fourth album –...
Reviewed by Charlie Cawood in issue: August/2025
Kunung Tilo
Singer and kora player Jali Fily Cissokho comes from a long line of West African Mandinka griots – Seckou Keita...
Reviewed by Tim Cumming in issue: September/2025
Stemmer i Voks
Stemmer i Voks, from Danish folktronica pioneers Ulla Bendixen and Martin Ottosen, core members of seminal band Sorten Muld, is...
Reviewed by Devon Léger in issue: September/2025
Whaling Women
Riding the wave (pun intended) of the sea shanty trend, this is the second release from the all-female group hailing...
Reviewed by Nathaniel Handy in issue: September/2025
