Reviews
Clap & Applause
From K-drama on Netflix to K-beauty in Boots, South Korea has been on a remarkable rise to prominence in the...
Reviewed by Liam Izod in issue: November/2020
The Innocent Left
Following on from their 2008 debut, Shadow and Half Light, and 2010’s Up From The Deep, the duo’s third album...
Reviewed by Tim Cumming in issue: Jan/Feb/2013
Codex
Life can be tough as a percussionist, particularly if you’re a solo artist. Live performance is one thing, but getting...
Reviewed by Laudan Nooshin in issue: Jan/Feb/2015
If You See a Rook on Its Own, It’s a Crow
Lincolnshire-born singer and fiddle player Elle Osborne first hit the folk scene with her 2000 debut Testimony. This was followed...
Reviewed by Tim Cumming in issue: November/2020
One Day Band Vol 1
What can you achieve in one day? This is the question posed by Trestle Records in East London with their...
Reviewed by Tommie Black-Roff in issue: April/2020
Watching the Well
Naim is a jazz label with an outstanding contemporary artist roster and a reputation for top-flight sound quality and production....
Reviewed by Tim Cumming in issue: Jan/Feb/2011
The Book of Transfigurations
American singer Julia Úlehla and guitarist Aram Bajakian are the core of Dálava, a Vancouver-based collective. Their source material lies...
Reviewed by Tim Cumming in issue: August/2017
L'Amazone: Le Chant des Fleuves
The Amazon has been imagined as a tree, its trunk passing from Brazil through Colombia and into Peru, with branches...
Reviewed by Chris Moss in issue: April/2020
Daora: Underground Sounds of Urban Brasil – Hip-Hop, Beats, Afro & Dub
When it comes to cinema, ‘urban’ may be a synonym for gritty andmonochromatic, but that is most certainly not the...
Reviewed by Russ Slater in issue: October/2013
