Mixing century-old traditional vocals with the latest sonic technology has always been an attractive yet dangerous musical venture. More often...
Reviewed by Marc Fournier in issue: April/2020
Faustus was the man with the magic touch, though it came at the price of damnation. Faustus the band share...
Reviewed by Tim Cumming in issue: June/2013
Gilles Peterson first started his Havana Cultura project back in 2008. Since then, the project has garnered several albums worth...
Reviewed by Alex De Lacey in issue: March/2017
Nuala Kennedy, Irish singer and flute player, adopted Scots lass and now a New Yorker is not an artist to...
Reviewed by Billy Rough in issue: Jan/Feb/2013
It's not ofen that the oboe takes the lead in any genre and its pinched tone can sometimes be too...
Reviewed by Mark Sampson in issue: June/2020
From the first moments of this compilation, it's impossible not to feel transported to another plane. The repetitive, hammering bass...
Reviewed by Russ Slater in issue: October/2019
Branches finds North Carolina fiddler and violinist Andrew Finn Magill confirming the promise of last year’s debut, Roots. The earlier...
Reviewed by Michael Quinn in issue: May/2017
Mamar Kassey is the working group name used by the musician Yacouba Moumouni (nicknamed Denké-Denké). The group is from Niger...
Reviewed by Martin Sinnock in issue: Jan/Feb/2014
Portland, Oregon's self-described ‘little orchestra’ Pink Martini are augmented once again by the Harvey Rosencrantz Orchestra (who featured on their...
Reviewed by Jon Lusk in issue: March/2017
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