In 2020, Polish label 1000Hz launched Digital Indigenous, a series showcasing producers who use rudimentary digital tools to create unique...
Reviewed by François Renoncourt in issue: July/2023
Okwy Osadebe & Highlife Soundmakers International
Highlife music is most closely associated with Ghana, but the genre's roots extend across West Africa and beyond. Okwy Osadebe...
Reviewed by Liam Izod in issue: July/2023
Sim Sim Sim, the Latin Grammy-winning debut from Rio de Janeiro-based Bala Desejo, conjures a cornucopia of Brazilian styles including...
Reviewed by Doug Deloach in issue: July/2023
In the late 1990s the Americana duo of John Convertino and Joey Burns created a form of desert blues inspired...
Reviewed by Nigel Williamson in issue: July/2023
The Oldest Voice in the World (Azerbaijan)
The music we call global should thank the heavens, really, for the Grammy-winning producer and field recordist Ian Brennan, who...
Reviewed by Jane Cornwell in issue: July/2023
There are fascinating clips online of a young Namian Sidibé performing on Malian TV talent show Mini Star in 2010....
Reviewed by Martin Sinnock in issue: October/2023
‘Gimme that old-time religion…’ The latest 14-track batch of old-time gospel recordings for the Memphis-based D-Vine Spirituals label underlines how...
Reviewed by Mark Sampson in issue: October/2023
Balamuc are a London-based band with a global membership and a clear interest in the music of the Roma, especially...
Reviewed by Kim Burton in issue: October/2023
While this second studio album from the multi-instrumentalist composer Jihad Darwish could easily have found its way into Jazzwise, there...
Reviewed by Nathaniel Handy in issue: October/2023
Scuru Cauru, Crimi's second album, kicks off with the bubbling of a water pipe and a vague background ditty suggestive...
Reviewed by Robert Rigney in issue: July/2023
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