Though this is not his first studio album release, Te Whare Tīwekaweka sees acclaimed Aotearoa artist Marlon Williams step foot...
Reviewed by Sosefina Fuamoli in issue: May/2025
Conceived during the 2011 Syrian uprising, and recorded in concert ten years later in Berlin, this set of pieces by...
Reviewed by Charlie Cawood in issue: June/2025
Celebrating cultural differences, the richness of their respective heritages and the chance to further decolonise France’s imperial past, this virtuosic...
Reviewed by Jane Cornwell in issue: June/2025
In the years since the death of Emahoy Tsege Mariam Gebru in 2023, we have been lucky to hear archival...
Reviewed by Jim Hickson in issue: July/2025
You only need listen to a couple of seconds of tsapiky to hear that it’s a party. The style (which...
Reviewed by Jim Hickson in issue: July/2025
Colombia’s pioneering Frente Cumbiero are proud tropicanibalismos, a radical, evolutionary outfit dedicated to preserving the traditional cumbia and porro rhythms...
Reviewed by Jane Cornwell in issue: July/2025
Growing up in West Virginia in the 1930s and 40s, this singer-songwriter, while listening to the likes of Merle Haggard...
Reviewed by Mark Sampson in issue: July/2025
Nottingham-based Ben McElroy’s Elkwort summons up an atmospheric, filmic soundscape. This cinematic quality is echoed in the inclusion of an...
Reviewed by Billy Rough in issue: July/2025
If this really is the final album from Peggy Seeger, then the great lady is going out in style. Released...
Reviewed by Robin Denselow in issue: July/2025
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