The opener ‘Dark Reel’ is an ambitious and blistering introduction to an album that is moody, earthy, haunting and passionate,...
Reviewed by Billy Rough in issue: July/2015
Their name translates roughly as the ‘Sons of a French Gypsy poodle.’ They were the official group at the annual...
Reviewed by Mark Sampson in issue: December/2017
On paper, the diverse musical elements that this album brings together – Kurdish traditional, flamenco and Parisian jazz – could...
Reviewed by Bill Badley in issue: October/2012
Aallotar are a transatlantic ‘chamber folk’ duo, comprising Finnish accordionist Teija Niku and Finnish-American fiddler Sara Pajunen. In the early...
Reviewed by Merlyn Driver in issue: March/2019
Letieres Leite & Orkestra Rumpilezz
In his liner notes, Gilberto Gil calls this album ‘a work of great magnitude.’ Rich in musical history, but tinged...
Reviewed by Mark Sampson in issue: June/2023
A fine balance of danceable music which pushes the boat out sonically and a sound firmly rooted in Congolese rumba...
Reviewed by Nik Hann in issue: May/2024
Polish guitarist and composer Raphael Rogiński has been busy. In September his solo album, Talàn, garnered rave reviews from all...
Reviewed by Olivia Cheves in issue: April/2024
Diepkloof and its neighbour, Meadowlands, were created as new zones in Soweto in the late 50s to accommodate those forcibly...
Reviewed by Nigel Williamson in issue: December/2023
Yosef-Gutman Levitt & Omri Mor
Having only recently reviewed Levitt’s Soul Song (in #190) I was surprised and delighted to see he’d released a second...
Reviewed by Tony Gillam in issue: January/February/2024
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