Kinetic is the sixth album from Belgian five-piece Black Flower, and their sound is rightly evolving with their experience. The...
Reviewed by Jim Hickson in issue: April/2025
Rarely does technological invention deliver such a beautiful result as Argot, the fourth album by Italian pianist Nicoletta Favari and...
Reviewed by Justin Turford in issue: April/2025
Anything Abel Selaocoe touches is bound to be extraordinary. Having followed his career from its early days, it’s been a...
Reviewed by Alexandra Petropoulos in issue: April/2025
Pioneering banjo player, composer and a key leading lady of bluegrass, Alison Brown wears many hats of leadership. She grew...
Reviewed by Devon Léger in issue: November/2024
‘Pokes’ were typos to 14th-century scribes, and it's the rough music of a mistaken world, poked through with holes, that's...
Reviewed by Tim Cumming in issue: November/2024
Toronto-based Lemon Bucket Orchestra are Canada's version of Gogol Bordello and, like Eugene Hütz, it seems a good many of...
Reviewed by Simon Broughton in issue: November/2024
You would expect from The Rheingans Sisters, Rowan and Anna, the assertion of female autonomy, and ‘Devils’, their take on...
Reviewed by Julian May in issue: November/2024
Singer, songwriter and producer Tomeletso Sereetsi is something of a hero in his homeland as an exponent of the unique...
Reviewed by Nigel Williamson in issue: January/2025
The story of this unlikely duo, Larry & Joe, is a powerful indictment of US immigration. A renowned musician and...
Reviewed by Devon Léger in issue: January/2025
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