Anyone expecting more heightened sci-fi concepts and bright instrumentation, as heard on Lucrecia Dalt's breakthrough album ¡Ay! is going to...
Reviewed by Rosie Esther Solomon in issue: September/2025
After the huge success of the Puerto Rican roots album by reggaeton star Bad Bunny, it's the turn of Colombia's...
Reviewed by Philip Sweeney in issue: September/2025
Marianne Faithfull was a complex lady. She was not just the languid pop star who recorded ‘As Tears Go By’...
Reviewed by Robin Denselow in issue: September/2025
Jake Shulman-Ment & Abigale Reisman
It's uncommon to have two violins in a klezmer band; more frequently, one violin vies with clarinet and other solo...
Reviewed by Tom Newell in issue: September/2025
Trio Kazanchis +1 (so named because there's four of them) originally released Sheger in 2019 as their final album, just...
Reviewed by Jim Hickson in issue: September/2025
The musicians of Brittany and Ireland have long held each other in high musical esteem and nowhere is this admiration...
Reviewed by Billy Rough in issue: April/2017
How can you justify subjecting the raw power of traditional Moroccan Gnawa music to a pernickety, pimple-picking, over-intellectualised version of...
Reviewed by Andy Morgan in issue: Apr/May/2011
Jeannot Bel is a UK-based Congolese guitarist who is a regular member of Kanda Bongo Man’s touring band. He recently...
Reviewed by Martin Sinnock in issue: Jan/Feb/2013
The revolution will not be televised, nor will it be terribly organised if the Free Radicals are in charge. Active...
Reviewed by Russ Slater in issue: August/September/2022
London-based gimbri master and Gnawa evangelist Simo Lagnawi is becoming a prolific and reliable recording artist, releasing Gnawa-themed albums with...
Reviewed by Tim Woodall in issue: April/2016
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