To illustrate the lyrical and incisive dissection of public ills and private graces that is Handmade Life, the album‘s artwork...
Reviewed by Tim Cumming in issue: March/2010
Kvite Fuglar (White Bird) is accompanied, in the liner notes, by a short statement from Unni Boksasp: ‘I've written all...
Reviewed by Fiona Talkington in issue: July/2013
One of the principle instruments of Mali's griot storytelling tradition is the ngoni (lute), and more than anyone else, Bassekou...
Reviewed by Martin Sinnock in issue: March/2019
Encounters is a study in subtlety. Bassist Sigurd Hole, known for his work with the famously restrained jazz pianist Tord...
Reviewed by Liam Izod in issue: November/2018
It's been 13 years since Moreno Veloso's last album – his debut, Music Typewriter – heralded a new generation of...
Reviewed by Russ Slater in issue: March/2015
On her first album, View from Somewhere, the London-based Sudanese-Italian singer Amira Kheir explored the various musical traditions of Sudan....
Reviewed by Alexandra Petropoulos in issue: June/2014
There have been enough qawwali- electronica fusions they could almost be their own sub-genre. The point of encounter seems to...
Reviewed by Jo Setters in issue: November/2020
This is an extremely elegant and accomplished record. But that should come as no surprise as it features three extremely...
Reviewed by Simon Broughton in issue: December/2020
When I reviewed O'Connor's debut release, This Willowed Light, back in #102, I enthused about how the turn of phrase...
Reviewed by Nathaniel Handy in issue: December/2019
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