Reviews
The Jackdaw Sessions
Rising from the ashes of the legendary Moishe’s Bagel, Triptic (Greg Lawson on fiddle, Mario Caribé on double bass and...
Reviewed by Billy Rough in issue: January/2026
Tiny Little Light
Mikey Kenney’s dexterous fiddle playing has long been coveted by folk musicians from across the world. But his songwriting, formerly...
Reviewed by Sophie Parkes in issue: January/2026
Memories of Magic – Mahō no Kioku
The first few tracks on this album are a red herring. The soft, cinematic tinkling of ‘Alchemy’ and the somewhat...
Reviewed by Rosie Esther Solomon in issue: January/2026
Rumba Africa
Emerging from the Congo, and flourishing even during that painful era when the country was renamed Zaire, African rumba became...
Reviewed by Robin Denselow in issue: February/March/2026
Cavejaz
Fabiano Do Nascimento | Fabiano do Nascimento
Nascimento is a Brazilian-American guitarist, who performs on a range of multi-string, variously tuned, nylon string guitars. Cavejaz is split...
Reviewed by Andy Cumming in issue: February/March/2026
Further From the Country
With a deep, slightly burred voice and deadpan delivery, Canadian First Nations singer-songwriter William Prince has always grounded his art...
Reviewed by Devon Léger in issue: February/March/2026
Poravna
In the English speaking world Vesna Pisarović might not be an household name, but in the post-Yugoslavian pop music scene...
Reviewed by Francesco Martinelli in issue: February/March/2026
Powder Keg
It would be hard to accuse French-British singer Clémentine March’s music of lacking in character. Sung in a mixture of...
Reviewed by Paul Bowler in issue: February/March/2026
If This Life Could Start Again
Born in Argentina and raised in London, Malena Zavala earned critical plaudits for the DIY bedroom pop of her 2018...
Reviewed by Paul Bowler in issue: February/March/2026
