Their name translates roughly as the ‘Sons of a French Gypsy poodle.’ They were the official group at the annual...
Reviewed by Mark Sampson in issue: December/2017
On paper, the diverse musical elements that this album brings together – Kurdish traditional, flamenco and Parisian jazz – could...
Reviewed by Bill Badley in issue: October/2012
Aallotar are a transatlantic ‘chamber folk’ duo, comprising Finnish accordionist Teija Niku and Finnish-American fiddler Sara Pajunen. In the early...
Reviewed by Merlyn Driver in issue: March/2019
Mehmet Polat is from Urfa in Turkey, overlooking the Euphrates, so looking towards Syria and Iraq rather than Istanbul. He...
Reviewed by Neil van der Linden in issue: June/2018
From the opening, jump-up moments of ‘Abatina’, a crisp, smart updating of a famous traditional rhythm, ‘Kalenda March’, it is...
Reviewed by Charles De Ledesma in issue: Aug/Sep/2016
Sheikhs Shikhats & B’net Chaabi
This sprawling 18-piece Belgian ensemble combines Sheikhs Shikhats and B’net Chaabi, the former a horn-dominated band fronted by a female...
Reviewed by Martin Longley in issue: June/2023
By the 1980s Ghana's once vibrant highlife scene was in decline along with the country's economy, and many of the...
Reviewed by Nigel Williamson in issue: June/2023
This singer-songwriter (and author) was keen to make her 13th album ‘a real band album’ after the experience of recording...
Reviewed by Mark Sampson in issue: June/2023
Letieres Leite & Orkestra Rumpilezz
In his liner notes, Gilberto Gil calls this album ‘a work of great magnitude.’ Rich in musical history, but tinged...
Reviewed by Mark Sampson in issue: June/2023
This live recording is the latest in a series from the Montreux festival archives. Previous releases feature greats such as...
Reviewed by Jo Setters in issue: June/2023
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