The Strangers’ Share sits somewhere west of Cornwall, out there where English mingles with Americana. This Cambridge-based folk duo are...
Reviewed by Nathaniel Handy in issue: January/2026
Josienne Clarke | Josienne Clarke & Ben Walker
Clarke’s songs always have a focused, condensed intensity of purpose, a sensitivity and strength that come from a combination of...
Reviewed by Tim Cumming in issue: January/2026
On Minor Gestures, Susannah Stark explores the space between traditional folk and experimental sound art – entering a dialogue with...
Reviewed by Olivia Cheves in issue: January/2026
After Banjophony and Banjophonics comes the latest album from Damien O’Kane and Ron Block, Banjovial. If you’re paying attention, you’ll...
Reviewed by Tony Gillam in issue: January/2026
Nusantara Beat emerged from Amsterdam’s fertile psychedelic scene, its assorted members having previously played in acclaimed acts like Anatolian rockers...
Reviewed by Paul Bowler in issue: January/2026
This 1973 LP is a solo work by the Australian nun Sister Irene O’Connor, who laid down its keyboard parts...
Reviewed by Martin Longley in issue: January/2026
Indian Ocean was first released in 2014, following a transformative invitation by filmmaker Robert Gordon to record at Royal Studios...
Reviewed by Sophie Parkes in issue: December/2025
Mhairi Hall & David de la Haye
A collaboration between composer Mhairi Hall and field recordist David de la Haye, Underwater Cairngorms combines sounds captured from below...
Reviewed by Tom Newell in issue: December/2025
Belgian composer and multi-instrumentalist Ward Dhoore has made fairly regular appearances in these pages as a member of such forward-thinking...
Reviewed by Kevin Bourke in issue: December/2025
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