Reviews
White Light: The Space Between
O/Modernt, which translates as ‘unmodern’, is the conceptual brainchild of British-born violinist Hugo Ticciati. On White Light: The Space Between,...
Reviewed by Merlyn Driver in issue: July/2018
Até ao Fim
Até ao Fim marks a turning point in Guerreiro's career. But fear not: she's not quit fado. She's not exactly...
Reviewed by GonÇalo Frota in issue: Apr/May/2015
Mantra Sessions
From the first track, as a free-blowing tenor sax solo jostles with a Hindu peace incantation over an ngoni (African...
Reviewed by Liam Izod in issue: May/2016
Live at the Grand Pavilion
The Welsh six-piece Mabon may not be well known on the English side of the border. It’s as if there’s...
Reviewed by Tim Cumming in issue: Jan/Feb/2011
Cladaich Loch Iù
Cladaich Loch Iù marks the debut of Gaelic singer and West Coast native Steven MacÌomhair and a pleasant enough, if...
Reviewed by Billy Rough in issue: April/2020
Moda Velha
During the 20th century Portugal was under the gloomy spell of one of the world's longest dictatorships – highly conservative...
Reviewed by GonÇalo Frota in issue: November/2016
The Impossible Wild
The Last Inklings are Leonardo MacKenzie and David Hoyland – MacKenzie is a classically trained cellist with 15 years of...
Reviewed by Tim Cumming in issue: December/2021
Singing Between the Lines
Two years after his CD and DVD live studio outing Ja s s i What Happened? comes a new release...
Reviewed by Nathaniel Handy in issue: March/2012
Rainy Season Blues
The last session the Malian guitarist Lobi Traoré recorded before his death in June this year at the age of...
Reviewed by Nigel Williamson in issue: Nov/Dec/2010
