Basho was an unconventional and singular 12-string guitarist, an outsider whose music remains uniquely beguiling. Often dubbed the ‘Father of...
Reviewed by Chris Wheatley in issue: February/March/2025
Miguel Collins, far better known as Sizzla, played an intriguing role in reggae history. He began recording in the late...
Reviewed by Robin Denselow in issue: February/March/2025
Ansis Bētiņš and Artūrs Čukurs, like almost every other Latvian, grew up surrounded by folk songs. No wonder they developed...
Reviewed by Michał Wieczorek in issue: February/March/2025
I’d not heard a robotic choir before, and won’t hear one again based on The Instruction Manual’s self-titled debut album....
Reviewed by Tim Cumming in issue: February/March/2025
Sandy Chamoun / Anthony Sahyoun / Jad Atoui
The trio of singer Sandy Chamoun and electronic music creators Anthony Sahyoun and Jad Atoui have produced an album that...
Reviewed by Jo Setters in issue: February/March/2025
Rock gaúcho, rock from Rio Grande do Sul, Brazil, always had a penchant for the music of the British invasion....
Reviewed by Andy Cumming in issue: February/March/2025
With this fourth album, the French-ish quartet Lolomis continue to provide high-grade, adventurous splicings of hard electronics and sylvan folk....
Reviewed by Martin Longley in issue: February/March/2025
Lebeis comes from a background in theatre production but uses this assured debut to show her abilities in sound, texture...
Reviewed by Andy Cumming in issue: December/2024
Hailed as ‘legendary’ this Istanbul-based four piece has been creating music best described as psychedelic for almost 30 years and...
Reviewed by Tom Newell in issue: December/2024
WoWaKin are a Polish trio playing violin, three-row accordion and drums with all the verve and vivacity of a village...
Reviewed by Simon Broughton in issue: December/2024
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