He may be almost 80, but Manu Dibango shows no sign of slowing. Both his sax playing and extraordinary basso...
Reviewed by Tim Woodall in issue: July/2012
I’ve got a lot of time for Socalled, Montréal rapper and producer. His early work with Sophie Solomon and his...
Reviewed by Max Reinhardt in issue: Aug/Sep/2015
All great family stories are marked by rivalry and conflict as well as profound coherence. The last seven years in...
Reviewed by Katharina Lobeck Kane in issue: July/2010
In 2020 when the UK locked down because of COVID-19 and live performance was impossible, Nancy Kerr had a bright...
Reviewed by Julian May in issue: May/2022
On the remix of ‘Andalucia’ that concludes this rewarding album, intermittent shots of percussion unsettle the underlying rumba and flamenco...
Reviewed by Mark Sampson in issue: July/2018
Keyboardist, vibra¬phone player and bandleader Mulatu Astatke was an early subject for Francis Falceto’s acclaimed Éthiopiques series, and 14 fine...
Reviewed by Nigel Williamson in issue: Jan/Feb/2010
Born in France, with a Cameroonian background, singer Ekoumé was a member of saxophonist Manu Dibango's band for eight years....
Reviewed by Martin Longley in issue: April/2016
KUNE: Canada's Global Orchestra
Toronto is a famously cosmopolitan city in an increasingly multicultural country, and KUNÉ was a project deliberately created to reflect...
Reviewed by Li Robbins in issue: Aug/Sep/2018
For those Amidon fans still swooning over the gentle folksiness of his previous five albums, The Following Mountain may come...
Reviewed by Jon Lusk in issue: October/2017
Elise Boeur & Adam Iredale-Gray
This album's modest title reflects the pure reverence, unmitigated by contemporised showiness, with which these instrumentalists approach music from Ireland,...
Reviewed by Jeff Kaliss in issue: March/2023
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