Reviews
Del Diablo y del Angel
Two of Astor Piazzolla’s great suites – Angels’ and ‘Devils’ – evolved ove r many years and, as a consequ–...
Reviewed by Chris Moss in issue: March/2010
All Covered with Moss
Alison Perkins & Nicolas Brown
All Covered with Moss, the debut offering from Detroit, Michigan-based duo Alison Perkins and Nicolas Brown, arrives as the pair...
Reviewed by Michael Quinn in issue: April/2017
Humanity is Falling Apart
For better or worse, the ominous title of this new album by Moh Alileche is not borne out by the...
Reviewed by Jo Setters in issue: Aug/Sep/2021
Live at Tou
A few years ago a group of musicians from the Slovakian Roma community came together with a group of musicians...
Reviewed by Garth Cartwright in issue: July/2021
Umbrellowhead
Come across this on a shelf and you’ll think you’ve found a new Bellowhead album. But what we have here...
Reviewed by Julian May in issue: March/2010
Tear in the River
Berlin-based bansuri player Roy Sunak's debut album, Tear in the River, can’t be faulted musically, even if its concept –...
Reviewed by Michael Quinn in issue: April/2023
Olin Ennen
On her debut recording, Olin Ennen (which translates in Finnish to ‘I Was’), Czech singer and multi-instrumentalist Barbora Xu explores...
Reviewed by Charlie Cawood in issue: December/2021
Shift
Shift, the debut album from Borders-born Kirsty Law, is a fine example of the plentiful talent burgeoning from Edinburgh's session...
Reviewed by Billy Rough in issue: June/2015
Real Rio
As much as I’m reluctant to begin a review of a Brazilian compilation with a football metaphor; this double-CD really...
Reviewed by Howard Male in issue: Jan/Feb/2017
An Introduction to Dick Gaughan
Master guitarist and singer Dick Gaughan has been touring and recording since 1970 and for six years, between 1975 and...
Reviewed by Tim Cumming in issue: Aug/Sep/2018
