Reviews
We’re OK. But We’re Lost Anyway
Orchestre Tout Puissant Marcel Duchamp
Is this title an exercise in assured bravado and chutzpah for this Geneva-based band’s fifth album, or is it a...
Reviewed by Max Reinhardt in issue: Aug/Sep/2021
Vieilles Caniques et Nouvelles Caniques
Stanley Brinks & the Old-Time Kaniks
Indie-folk is often terrible: a ham-fisted, middle-of-the-road mush of xylophones and ukuleles that is unashamedly twee and contrivedly cute. Thankfully,...
Reviewed by Matt Milton in issue: March/2017
Akal Warled
Mix the hypnotic call-and-response vocals and tinde hand-drums of the Touareg troupe Tartit with the electric guitars, rocking rhythms and...
Reviewed by Nigel Williamson in issue: Aug/Sep/2014
Komitas
The Gurdjieff Ensemble & Levon Eskenian
Komitas (1869-1935) will always remain one of music history's most tantalising mysteries. Born Soghomon Soghomonian in a Turkish village and...
Reviewed by Michael Church in issue: Jan/Feb/2016
Mare Nostrum
Jordi Savall is a leading specialist in early music, the styles of the 12th to 18th century. In those times...
Reviewed by Neil van der Linden in issue: June/2012
Made by Human Hands
Grand Union have been making communal, culturally expansive and embracing music for four decades now, with a strong legacy of...
Reviewed by Tim Cumming in issue: July/2022
Italy: Music of the Albanians of Calabria
The outcome of Fabrice Contri’s fieldworks in northern Calabria between 2009 and 2010, this album features music of the Arbëreshë,...
Reviewed by Ciro De Rosa in issue: March/2012
Réveteg
Classically-trained viola player Róbert Lakatos (not to be confused with Roby Lakatos) is a leading fiddler (prímas) on the Hungarian...
Reviewed by Simon Broughton in issue: Jan/Feb/2020
137 Avenue Kaniama
Musician, poet and filmmaker Baloji was born to a Belgian father and Congolese mother in Lubumbashi in the Democratic Republic...
Reviewed by Martin Sinnock in issue: March/2019
