Great Joy to the New opens with ‘Derby Ram’, the surprisingly upbeat story of a gargantuan sheep and the gloriously...
Reviewed by Julian May in issue: January/2025
More than half a century after his debut LP, Christy Moore’s first outing on Claddagh Records shows there’s still mileage...
Reviewed by Michael Quinn in issue: January/2025
Warsaw Village Band & Bassałyki
Poland’s avant-folk export combines the knotty, clay-bound roots of Polish music and folkloric traditions with innovation and experimentation, whether that...
Reviewed by Tim Cumming in issue: January/2025
FLEE Project are known for their work in presenting traditional musics raw, and then calling on contemporary musicians to recontextualise...
Reviewed by Kim Burton in issue: January/2025
Bill Laurance & Michael League
It’s nice to see Laurance and League are still stepping away from their Snarky Puppy duties for this more introspective...
Reviewed by Alexandra Petropoulos in issue: January/2025
London-based trio ZELT bear more than a passing stylistic resemblance to Istanbul’s Lalalar, crafting tunes with a strong Turkish and...
Reviewed by Daniel Spicer in issue: January/2025
Jonathan Uliel Saldanha, a prolific linchpin producer of Nyege Nyege Tapes’ back catalogue, has combined with Kingdom Ulfame Choir, a...
Reviewed by Nik Hann in issue: May/2025
Trio da Kali | Trio da Kali & Kronos Quartet
Malian group Trio da Kali have been around for some time. They were at the BBC Proms in 2013, and...
Reviewed by Simon Broughton in issue: May/2025
It starts with a furious flurry of percussion, and then in comes that voice, as commanding, passionate and distinctive as...
Reviewed by Robin Denselow in issue: May/2025
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