Turkish artist Ozan Baysal makes his debut in an unusual style. Traditional, tonal and jazz harmonic elements build a bridge...
Reviewed by Ula Nowak in issue: July/2025
Civilistjävel! x Mayssa Jallad
Originally recorded in 2023, Mayssa Jallad’s Marjaa: The Battle of the Hotels is a sonic reimagining of a five-month battle...
Reviewed by Olivia Cheves in issue: July/2025
The Iranian group Rastak have been going for over 25 years, although in recent years they’ve relocated from Iran to...
Reviewed by Simon Broughton in issue: July/2025
Daniel Misiani came to the attention of non-Kenyans in the late 80s with two albums released in the UK that...
Reviewed by Alastair Johnston in issue: October/2010
Bands with numerous members have a certain attraction, often making you wish you were part of their line-up: The Pogues...
Reviewed by Nige Tassell in issue: June/2010
There’s an obvious parallel between the Blind Boys of Alabama and South Africa’s Ladysmith Black Mambazo. Both are veteran vocal...
Reviewed by Nigel Williamson in issue: Aug/Sep/2011
After five fine albums of Appalachian-tinged folk songs, Diana Jones felt too devastated by the horror of Trump’s election to...
Reviewed by Nigel Williamson in issue: November/2020
Although this is only his second album, Kamel El Harrachi is a well-known performer of chaabi, the Algerian popular music...
Reviewed by Jo Setters in issue: June/2021
This disc is more in the nature of jazz-influenced mood music than anything else, and a long way from the...
Reviewed by Maria Lord in issue: March/2010
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