In recent years Cuba’s Santería religion, a vigorous survival of West African religious practices reconstituted as Catholic adoration of the...
Reviewed by Kim Burton in issue: January/February/2024
The cool, ambient depth charges embedded across Move into the Luminous come from prolific double bassist Jon Thorne (Lamb, Yorkston...
Reviewed by Tim Cumming in issue: January/February/2024
For some years now, Rodrigo Cuevas has been living in a little village in Asturias, retreating from contact with big...
Reviewed by GonÇalo Frota in issue: January/February/2024
Since their widely acclaimed 2018 album Seven Sisters, which celebrated the cultural roots of the band, Don Kipper have been...
Reviewed by Buzz Bury in issue: January/February/2024
Far from being a difficult second album, Plassen’s latest release reveals how much her voice and her approach to the...
Reviewed by Fiona Talkington in issue: January/February/2024
M Mashabi & His Kelana Ria Orchestra
This collection is a precious insight into the music scene of 1960s Indonesia. Formed by Adi Karso and Munif Bahasuan,...
Reviewed by Shukri Habib Ali in issue: January/February/2024
On his previous album, 2020’s Zarb-e Osul, Montreal-based percussionist Ziya Tabassian demonstrated his mastery of ancient Persian rhythmic cycles known...
Reviewed by Charlie Cawood in issue: January/February/2024
The thought of a duo comprising nothing more than fiddle and mandolin made me doubtful. Surely these instruments have a...
Reviewed by Tony Gillam in issue: January/February/2024
Given that Afrobeat was born out of a creative culture clash – funk meeting highlife for a riotous party –...
Reviewed by Simon Cross in issue: April/2024
Cuban music contributes to, and absorbs, myriad musics from across Latin America, the Caribbean and the US. It has also...
Reviewed by Chris Moss in issue: April/2024
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