Reviews
Dub Me Tender Vols 1 & 2
The dub remix is a tricky thing to pull off. If you're trying to replicate the soupy yet cavernous sound...
Reviewed by Howard Male in issue: Apr/May/2012
Léve Léve: São Tomé & Príncipe Sounds 70s-80s
São Tomé and Príncipe isn't exactly known as a musical powerhouse nation – Songlines has only ever reviewed one other...
Reviewed by Jim Hickson in issue: April/2020
Spirit
Spirit is the maiden voyage of Buster Sledge, a progressive bluegrass trio based in Oslo, where California-born fiddler and lead...
Reviewed by Doug Deloach in issue: October/2020
Bondeko
Back in 2004, Cameroonian multi-instrumentalist Richard Bona, Congolese griot Lokua Kanza and the French-Caribbean musical adventurer Gerald Toto convened to...
Reviewed by Nigel Williamson in issue: April/2018
Borrowed Time
Appalachian banjo and fiddle player, bilingual singer-songwriter and activist à la Pete Seeger, Joe Troop calls this his ‘dream album.’...
Reviewed by Mark Sampson in issue: October/2021
Ninguém Vai Me Segurar
Cut down by terminal illness in the prime of her life, Brazilian singer-singwriter Ana Mazzotti – like her contemporary Rosinha...
Reviewed by Brendon Griffin in issue: November/2019
The Don Ca Tai Tu: Chamber Music of the Mekong Delta
In 2013 the southern Vietnamese chamber music genre don ca tai tu was officially recognised as intangible cultural heritage by...
Reviewed by Barley Norton in issue: October/2014
Amandla
Zimbabwean singer Shelter Matshelela presents us here with an archetypal bubblegum (township pop) album brim-full of happy, head-nodding tunes. Matshelela...
Reviewed by Charlotte Algar in issue: November/2018
Canta Cartola
Cartola was perhaps the most exhilarating of all samba songwriters. Not the kind of samba like the frantic dance...
Reviewed by GonÇalo Frota in issue: Jan/Feb/2017
