Anna, Sheila and Clare Friel of Donegal play the fiddle, flute, tin whistle and uilleann pipes, and between them trade...
Reviewed by Tim Cumming in issue: May/2025
Amir ElSaffar & Lorenzo Bianchi Hoesch
The latest release from Iraqi-American trumpeter, santur player and vocalist Amir ElSaffar and composer and sound artist Lorenzo Bianchi Hoesch,...
Reviewed by Olivia Cheves in issue: May/2025
It’s rare, as a reviewer, to be sent an album you’ll have on repeat. A Dance Sweetly Played is such...
Reviewed by Jane Cornwell in issue: February/March/2025
With the members of Tinariwen scattered around southern Algeria while they take refuge from the political unrest in Mali ,...
Reviewed by Nigel Williamson in issue: February/March/2025
Recorded and released in 1960, Harlem Street Singer is regarded as singer/guitarist Reverend ‘Blind’ Gary Davis’ masterpiece. It’s also a...
Reviewed by Daniel Spicer in issue: February/March/2025
Guitarist Dorji came to Asheville, North Carolina from Bhutan, over two decades ago, and his improvising style retains Eastern qualities,...
Reviewed by Martin Longley in issue: February/March/2025
Maybe it’s the feeling of hopelessness that’s enveloped the US right now, or the sense of impending dread as a...
Reviewed by Devon Leger in issue: February/March/2025
Recorded by inmates of Mississippi’s Parchman Prison alongside Grammy-winning producer Ian Brennan, this album picks up where 2023’s Some Mississippi...
Reviewed by Billy Rough in issue: April/2025
Intertextuality is not a common word to introduce a review of dance music, but it is everywhere in this second...
Reviewed by Kim Burton in issue: April/2025
Julie Fowlis, Éamon Doorley, Zoë Conway & John Mc Intyre
This is the second outing for a supergroup connecting the pan-Gaelic traditions of Hebridean Scotland and Ireland. It unites Julie...
Reviewed by Nathaniel Handy in issue: April/2025
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