Reviews
I’m Jimmy Reed
It’s routinely hailed as the first great blues album but, as was the case with most bluesmen of his generation,...
Reviewed by Kevin Bourke in issue: January/2025
Femmina
The vocalist and clarinettist Gera Bertolone hails from Sicily, and here puts together an album of original songs which blend...
Reviewed by Maria Lord in issue: January/2025
Great Joy to the New
Great Joy to the New opens with ‘Derby Ram’, the surprisingly upbeat story of a gargantuan sheep and the gloriously...
Reviewed by Julian May in issue: January/2025
A Terrible Beauty
More than half a century after his debut LP, Christy Moore’s first outing on Claddagh Records shows there’s still mileage...
Reviewed by Michael Quinn in issue: January/2025
Twines
Warsaw Village Band & Bassałyki
Poland’s avant-folk export combines the knotty, clay-bound roots of Polish music and folkloric traditions with innovation and experimentation, whether that...
Reviewed by Tim Cumming in issue: January/2025
Athos: Echoes from the Holy Mountain
FLEE Project are known for their work in presenting traditional musics raw, and then calling on contemporary musicians to recontextualise...
Reviewed by Kim Burton in issue: January/2025
Keeping Company
Bill Laurance & Michael League
It’s nice to see Laurance and League are still stepping away from their Snarky Puppy duties for this more introspective...
Reviewed by Alexandra Petropoulos in issue: January/2025
İstanbul’u Dinliyorum
London-based trio ZELT bear more than a passing stylistic resemblance to Istanbul’s Lalalar, crafting tunes with a strong Turkish and...
Reviewed by Daniel Spicer in issue: January/2025
Kembo
Jonathan Uliel Saldanha, a prolific linchpin producer of Nyege Nyege Tapes’ back catalogue, has combined with Kingdom Ulfame Choir, a...
Reviewed by Nik Hann in issue: May/2025
