Reviews
The Road
I first came across Mamak Khadem when I reviewed her solo album Jostojoo in 2008. A couple of years later,...
Reviewed by Laudan Nooshin in issue: March/2016
Lysbærer
Lysbærer could easily be the soundtrack to any of the popular Viking series available on our screens and it’s the...
Reviewed by Buzz Bury in issue: May/2022
The Sorrow Songs: Folk Songs of the Black British Experience
The title tells us of this album’s focus, but nothing quite prepares us for the introduction: spoken word written by...
Reviewed by Sophie Parkes in issue: November/2022
Kangaroo Dance
In Congo's Lingala language the term nzong-nzing (or zong-zing) refers to any kind of additional work activity. In musical terms...
Reviewed by Martin Sinnock in issue: April/2020
Myriad Road
The jazz album is often the second-last refuge of a career on the slide (reggae generally being the final resort...
Reviewed by David Hutcheon in issue: June/2016
Fu Chronicles
This isn't your average Afrobeat album; this one explores not only messages of black power and equality, but also the...
Reviewed by Charlotte Algar in issue: April/2020
Blikkspor
Old Norwegian tradition is exquisitely embodied in the playing of this young virtuoso Hardanger fiddler, who has garnered a pair...
Reviewed by Martin Longley in issue: Nov/Dec/2014
Nim Dong
Conceived by Australia-based Iranian tar (long-necked lute) virtuoso and composer Hamed Sadeghi, Eishan Ensemble is a rare attempt in fusing...
Reviewed by Charlie Cawood in issue: November/2018
SMS for Location, Vol 4
Montréal has been at the forefront of club culture in Canada for some time now: from multi-arts practice in Ausgang...
Reviewed by Alex De Lacey in issue: July/2021
