Along with 2022's This Machine Still Kills Fascists, Dropkick Murphys’ Okemah Rising stems from a self-directed project, the purpose of...
Reviewed by Doug Deloach in issue: August/September/2023
This new album from Yasser Tejeda comprises a slick and very enjoyable collection of nine tracks merging two distinct traits...
Reviewed by Philip Sweeney in issue: August/September/2023
Neculai Florea, Nicolae Amarandei, Valentin Bălăşanu
Hârlău is a town in the Romanian region of Moldavia, about 70km from Iaşi. And this record is a deliberate...
Reviewed by Simon Broughton in issue: August/September/2023
My, what a curious album this is. If you struggle to determine an overriding aesthetic, that's maybe half the point....
Reviewed by Mark Sampson in issue: August/September/2023
Zeyn’el is a singer-songwriter who is well-known in the Turkish rock scene as a sound engineer, and some of that...
Reviewed by Maria Lord in issue: August/September/2023
Building on the stylistic journey of his 2020 album NO VISA, American DJ and producer Captain Planet brings retro styles...
Reviewed by Jim Hickson in issue: August/September/2023
Fabiano Do Nascimento | Fabiano do Nascimento
Fabiano do Nascimento was born and raised in Rio and São Paulo. For the last decade or so he's been...
Reviewed by Max Reinhardt in issue: August/September/2023
XIV – A Integração is a wonderfully untidy, uneven pile of ideas, mysticism and sacred touchstones, electro-acoustics and real sound,...
Reviewed by Max Reinhardt in issue: August/September/2023
The title of this delicious compilation derives from the picós, the Afro-Colombian sound systems analogous to their Jamaican counterparts and...
Reviewed by Mark Sampson in issue: October/2023
Unifying the output of North Carolina-based musician Sally Anne Morgan is not easy. There's her solo albums, 2020's Thread and...
Reviewed by Kevin Bourke in issue: October/2023
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