This four-disc set of Paul Bowles’ recordings in Morocco in 1959 reproduces – with eight additional pieces – the original...
Reviewed by Tim Cumming in issue: July/2016
Portico Quartet’s Jack Wyllie recorded this album in Dakar, Senegal, influenced by the sound of mbalax that played until six...
Reviewed by Russ Slater in issue: November/2020
Kamilya Jubran & Werner Hasler
This really is like no other Middle Eastern recording you are likely to encounter and it is best to say...
Reviewed by Bill Badley in issue: April/2020
At the opening of this CD, the plucked strings that slide serenely from note to note are like a silken...
Reviewed by Simon Broughton in issue: Nov/Dec/2013
The Vampisoul label is a gem, constantly unearthing surprises, and this fabulous collection rediscovers the Cuban singer– composer El Gran...
Reviewed by Sue Steward in issue: June/2010
Daniel Haaksman has been a vital figure in the creation and development of ‘tropical’ or ‘global bass’ music for the...
Reviewed by Jordan Barnes in issue: Jan/Feb/2018
An academic in ethnomusicology as well as a musician and composer who has been performing since he was a teenager...
Reviewed by Tim Cumming in issue: April/2023
Montréal percussionist Daniel Bellegarde’s second solo album continues his fascination with the music of Haiti and the French West Indies,...
Reviewed by Martin Longley in issue: July/2022
Egyptian multi-instrumentalist Maurice Louca is known for navigating between electronic dance music, crossovers with Egypt’s contemporary maghraganat music, participating in...
Reviewed by Neil van der Linden in issue: December/2021
This second album by Bristolian Afrobeat specialists No Go Stop benefits from a powerful production, the 12-piece band tightly arranged...
Reviewed by Martin Longley in issue: November/2022
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